Green Flames

Green Flames,
17.12.22 - 04.02.23   Curated by Alejandro Alonso Díaz based on a poem by Chika Sagawa. With: Isabel Carvalho, Lucía C. Pino, Fernando García Dory / INLAND y Victor Ruiz Colomer. “Now imagine the dampness of the night breeze, the grass brushing against the back of your legs. In the smoke we had visions... remember? There were floating bodies and elongated energy, satin-clad necks and colors rising to our temples. Delving together into Chika Sagawa’s poem, curator and artists invoke a precariousness contrary to gloom. Starting from the collective readings, annotations and dissections of a single poem, Green Flames is consumed in the ethereal: the relationship between the abstraction of markets and the energy of an immaterial making activates currents within a cargo system, traversing it to, in the end, return to bodies. Now tell us what you saw.” — Alejandro Alonso Díaz Green Flames takes as its starting point the poetic work of Chika Sagawa, (Japan, 1911 -- 1936) and more specifically the poem that gives its name to the exhibition to imagine the possibility of an energetic exchange where the material recedes, giving way to ungraspable, ephemeral and immaterial forms in permanent circulation.
© Albarrán Bourdais,
© Albarrán Bourdais,
© Albarrán Bourdais,
Green Flames, 2022,
© Albarrán Bourdais,
© Albarrán Bourdais,
© Albarrán Bourdais,
Green Flames,
17.12.22 - 04.02.23   Curated by Alejandro Alonso Díaz based on a poem by Chika Sagawa. With: Isabel Carvalho, Lucía C. Pino, Fernando García Dory / INLAND y Victor Ruiz Colomer. “Now imagine the dampness of the night breeze, the grass brushing against the back of your legs. In the smoke we had visions... remember? There were floating bodies and elongated energy, satin-clad necks and colors rising to our temples. Delving together into Chika Sagawa’s poem, curator and artists invoke a precariousness contrary to gloom. Starting from the collective readings, annotations and dissections of a single poem, Green Flames is consumed in the ethereal: the relationship between the abstraction of markets and the energy of an immaterial making activates currents within a cargo system, traversing it to, in the end, return to bodies. Now tell us what you saw.” — Alejandro Alonso Díaz Green Flames takes as its starting point the poetic work of Chika Sagawa, (Japan, 1911 -- 1936) and more specifically the poem that gives its name to the exhibition to imagine the possibility of an energetic exchange where the material recedes, giving way to ungraspable, ephemeral and immaterial forms in permanent circulation.
© Albarrán Bourdais,
© Albarrán Bourdais,
Green Flames,
17.12.22 - 04.02.23   Curated by Alejandro Alonso Díaz based on a poem by Chika Sagawa. With: Isabel Carvalho, Lucía C. Pino, Fernando García Dory / INLAND y Victor Ruiz Colomer. “Now imagine the dampness of the night breeze, the grass brushing against the back of your legs. In the smoke we had visions... remember? There were floating bodies and elongated energy, satin-clad necks and colors rising to our temples. Delving together into Chika Sagawa’s poem, curator and artists invoke a precariousness contrary to gloom. Starting from the collective readings, annotations and dissections of a single poem, Green Flames is consumed in the ethereal: the relationship between the abstraction of markets and the energy of an immaterial making activates currents within a cargo system, traversing it to, in the end, return to bodies. Now tell us what you saw.” — Alejandro Alonso Díaz Green Flames takes as its starting point the poetic work of Chika Sagawa, (Japan, 1911 -- 1936) and more specifically the poem that gives its name to the exhibition to imagine the possibility of an energetic exchange where the material recedes, giving way to ungraspable, ephemeral and immaterial forms in permanent circulation.
© Albarrán Bourdais,
© Albarrán Bourdais,
© Albarrán Bourdais,
© Albarrán Bourdais,
© Albarrán Bourdais,
Green Flames,
17.12.22 - 04.02.23   Curated by Alejandro Alonso Díaz based on a poem by Chika Sagawa. With: Isabel Carvalho, Lucía C. Pino, Fernando García Dory / INLAND y Victor Ruiz Colomer. “Now imagine the dampness of the night breeze, the grass brushing against the back of your legs. In the smoke we had visions... remember? There were floating bodies and elongated energy, satin-clad necks and colors rising to our temples. Delving together into Chika Sagawa’s poem, curator and artists invoke a precariousness contrary to gloom. Starting from the collective readings, annotations and dissections of a single poem, Green Flames is consumed in the ethereal: the relationship between the abstraction of markets and the energy of an immaterial making activates currents within a cargo system, traversing it to, in the end, return to bodies. Now tell us what you saw.” — Alejandro Alonso Díaz Green Flames takes as its starting point the poetic work of Chika Sagawa, (Japan, 1911 -- 1936) and more specifically the poem that gives its name to the exhibition to imagine the possibility of an energetic exchange where the material recedes, giving way to ungraspable, ephemeral and immaterial forms in permanent circulation.
Green Flames,
17.12.22 - 04.02.23   Curated by Alejandro Alonso Díaz based on a poem by Chika Sagawa. With: Isabel Carvalho, Lucía C. Pino, Fernando García Dory / INLAND y Victor Ruiz Colomer. “Now imagine the dampness of the night breeze, the grass brushing against the back of your legs. In the smoke we had visions... remember? There were floating bodies and elongated energy, satin-clad necks and colors rising to our temples. Delving together into Chika Sagawa’s poem, curator and artists invoke a precariousness contrary to gloom. Starting from the collective readings, annotations and dissections of a single poem, Green Flames is consumed in the ethereal: the relationship between the abstraction of markets and the energy of an immaterial making activates currents within a cargo system, traversing it to, in the end, return to bodies. Now tell us what you saw.” — Alejandro Alonso Díaz Green Flames takes as its starting point the poetic work of Chika Sagawa, (Japan, 1911 -- 1936) and more specifically the poem that gives its name to the exhibition to imagine the possibility of an energetic exchange where the material recedes, giving way to ungraspable, ephemeral and immaterial forms in permanent circulation.
© Albarrán Bourdais,
© Albarrán Bourdais,

17.12.22 – 04.02.23

 

Curated by Alejandro Alonso Díaz based on a poem by Chika Sagawa.

With: Isabel Carvalho, Lucía C. Pino, Fernando García Dory / INLAND y Victor Ruiz Colomer.

“Now imagine the dampness of the night breeze, the grass brushing against the back of your legs.

In the smoke we had visions… remember? There were floating bodies and elongated energy, satin-clad necks and colors rising to our temples.

Delving together into Chika Sagawa’s poem, curator and artists invoke a precariousness contrary to gloom. Starting from the collective readings, annotations and dissections of a single poem, Green Flames is consumed in the ethereal: the relationship between the abstraction of markets and the energy of an immaterial making activates currents within a cargo system, traversing it to, in the end, return to bodies.

Now tell us what you saw.” — Alejandro Alonso Díaz

Green Flames takes as its starting point the poetic work of Chika Sagawa, (Japan, 1911 — 1936) and more specifically the poem that gives its name to the exhibition to imagine the possibility of an energetic exchange where the material recedes, giving way to ungraspable, ephemeral and immaterial forms in permanent circulation.

Available artwork

© Albarrán Bourdais,

Isabel Carvahlo
tickling nerves, 2021

Variable dimensions

Unique piece

Price on request

© Albarrán Bourdais,

Victor Ruiz Colomer Lib, 2022

Metal, soap, lights, cable, rope, pulleys, pulleys

120 x 15 x 40 (variable)
47.24 x 5.9 x 15.75 in (variable)

Unique piece

Price on request

© Albarrán Bourdais,

Isabel Carvahlo blossoming worldlink, 2022

Molded plaster in clay dies

37 x 98cm
14.57 x 38.58 in

Unique piece

Price on request

© Albarrán Bourdais,

Lucia C. Pino corda I, 2022

Iron, copper, fabrics, plaster, straw, fiberglass, cardboard and kerosene wax

Medidas variables

Unique piece

Price on request

© Albarrán Bourdais,

Fernando García Dory / INLAND

Micropoemas murales para el apiario I, II, III, 2022

Risography on wood, wax and propolis

Unique piece

Price on request

© Albarrán Bourdais,

Lucia C. Pino
SPIDER SPIDER SPINS, 2022

Composed of 3 copper pieces

1.piecewithwords25 x 18 x 9 cm 2.round 17 x 19 x 21.5 cm
3. tears of fire plana 45 x 31.5 cm

Unique piece

Price on request

© Albarrán Bourdais,

Fernando García Dory / INLAND

Sin título, 2022

Sound composition for the apiary, support-panal and overnight stay in the apiary.

Wood, wax and honey, paper and charcoal

50 x 50 cm

19.7 x 19.7 in

Unique piece

mp3 file – 4 channels

Price on request

 

See previous exhibition