Olivier Mosset (b.1944) is one of the central figures in post-war abstract painting, and a pivotal reference for generations of European and American painters. Associated with Daniel Buren, Michel Parmentier, and Niele Toroni, he was a member of the ephemeral B.M.P.T. “group.” His extensive series of circle paintings, executed in the late 1960s and early 1970s, is among the most widely discussed works of that era.
Olivier Mosset has always been closely engaged with abstraction and the history of abstraction: “his approach considers painting in terms of production and reception, while acknowledging its social and political dimensions.”
Mosset moved to the US in 1977 and was part of the vibrant New York art scene of the 1980s. His later paintings explore monochrome and geometric abstraction, with all the analytical rigor of his early works. With hindsight, Mosset emerges as one of very few European painters to place themselves within the American tradition of large-scale painting (the legacy of Frank Stella, Robert Ryman, or Barnet Newman), but he remains attentive to developments within the art scenes he traverses, too, and has supported artists whose practices differ from his own.