Angelika Markul

Born in Poland in 1977. Lives and works in Paris.

Angelika Markul’s artistic practice has always been anchored to lost, disregarded or dangerous sites. Connecting real facts with fictional – so- metimes even science fiction – facts, her latest film projects have taken her to various unexpected places: to the South of Japan onto the Yonaguni island where the artist discovered an undated monument drowned under the sea, to the North of the Mexican state in the Naica’ selenite crystals mine that is now forbidden to visit or to Tchernobyl in order to evoke this reconstructed nature on its own ruins. Her latest film Memory of Glaciers continues a process of reflection started over more than ten years ago around questions of memory, bodies and places, destruction and the cycle of life. Stretched between these paradoxes, Markul’s approach is always motivated by a desire to capture the images as well as to carve them and make visible what is dark and hidden.

Angelika Markul recently received the Coal Prize in 2016 that wishes to grant an artist about his work combining art and environment. She is also the prizewinner of Sam Art Projects in 2012 and the Maïf Prize in 2017. The artist graduated from the École nationale supérieure des Beaux-Arts de Paris (E.N.S.B.A) in 2003, from the multimedia’s department in Christian Boltanski’s workshop.

In 2014, she presented her solo exhibition Terre de Départ at the Palais de Tokyo, curated by Daria de Beauvais, where she exhibited four video installations; Bambi in Chernobyl (2014), Gorge du Dia- ble (2013), Terre de Départ (2014) and 400 milliards de planètes (2014). In 2018 she presented her exhibition Tierra de Fuego at Musée de la Chasse et de la Nature. In 2020, she presented a new solo exhibition Formule du temps at the Centre International d ́art et du paysage at Vassivière.

Available artwork

© Galería Albarrán Bourdais

Tchouri-Guérasimenko, 2017

Black and white argentine print under glass and black bronze

20 x 20 cm (print)

8 x 10 x 8,5 cm (bronze)

Edition 1/3 + 1 AP

Price on request

© Galería Albarrán Bourdais

Zone Yonaguni, 2016

Black and white Argentine print under glass

160 x 110 cm

Edition 1/3 + 1 AP

Price on request 

© Galería Albarrán Bourdais

La Mémoire des glaciers, 2017

Video installation, music by Côme Aguiar Film, color, 10’51”, in loop, 3D images

Edition 1/4 + 1 AP

Price on request

© Galería Albarrán Bourdais

Si les heures m’étaient comptées, 2016

Video Installation Music by Simon Ripoll-Hurier Film, black and white, sound, 11’ 47¨ in loop

Ed: 2/4 +1 AP

Price on request

© Galería Albarrán Bourdais

Zone Yonaguni, 2016

wax, pencil, oil

23,5 x 35 x 3 cm (glass without reflection)

Price on request

© Galería Albarrán Bourdais

Si les heures m’étaient comptées, 2016

wax, pencil, oil

35 x 23,5 x 3 cm (glass without reflection)

Price on request

© Galería Albarrán Bourdais

Untitled, 2016

wax, pencil, oil

Unframed: 29,7 x 21 cm

Framed: 35 x 23,5 x 3 cm (glass without reflection)

Price on the request 

© Galería Albarrán Bourdais

Untitled, 2016

wax, pencil, oil

Unframed: 29,7 x 21 cm

Framed: 35 x 23,5 x 3 cm

Price on request

© Galería Albarrán Bourdais

Zone Yonaguni, 2016

Video Installation Music by Simon Ripoll-Hurier Film, color, sound, 19’ 47¨ in loop, 3D images

Ed: 2/4 +1 AP

Price on request

Angelika Markul, Untitled, 2016, Galeria Solo, Madrid, 2018 © Pablo Gomez Ogando (5),

Untitled, 2016

wax, pencil, oil

Unframed: 29,7 x 21 cm

Framed: 35 x 23,5 x 3 cm

Price on request